Showing posts with label Plotting. Show all posts
Showing posts with label Plotting. Show all posts

Monday, May 5, 2014

My Writing Process


Happy Monday! 
I was tagged by the lovely Laura Rueckert in the "My Writing Process" Blog Tour. What this means. You're going to get the low down on how my writing comes together. I know your psyched, right???
 I personally love this idea, because I enjoy reading how everyone else goes about their creative process.  Laura's (see above) is pretty great and you can read all about her writing process HERE.

As for me...

What am I working on?

I am working on a novel (title currently up in the air) about a girl who is dying to get out of her old farm town and away from her parents corn field. There is something magical about this field, but she could care less. Until she finds a boy wandering through it speckled with blood and out of his mind. Weird things happen when it comes to the corn, so she writes it off with ease. But the mass murder they discover the next day in the same field can't so easily be forgotten....
 
Yeah, I know it's sucky as far as pitch-worthy, but lucky for me, I'm not trying to pitch it at the moment, I'm just trying to get it out of my head.


How does my work differ from others of its genre?

I wish I could give some fabulous answer here. That I write like no other, but the truth is, there are a kabillion writers in this world and many of them are fabulous! I can only hope that I can write the kind of book that I love to read...a page turner that leaves you guessing until the end. One thing I am finding with my books, is that I always like to have a touch of crazy in there some where. What's that say about me? Hmmm....

Why do I write what I do?

Writing for me is cathartic. When I sit down at a keyboard I imagine I'm like a pianist sitting down to compose. I love the feeling of putting my heart and soul into something whether it be through a new world and characters, or if I'm just writing a letter that my kids can read in the future. I love to write. Period. That's why I do it. If I add the fact that people may read it and actually be transported into a world that I find so captivating myself, that they too may actually enjoy it, well, it's the ultimate high!

How does my writing process work?

Oh the elusive writing process. For me, I have to be inspired by something in the beginning. Be it a picture, an old house I drive by, or a person that catches my eye when I people watch. Yes, I love to watch people. You can learn so much about a person that way. Is that stalkerish? Whoops.

After the inspiration, I build on that, create an idea, build on that, and so on and so forth until I have a pretty firm story in my head. Marinating like this takes some time and while I'm doing that, I begin researching things, places, people, fantastical options and routes I might want to take. 

Next, I begin plotting. I love Blake Snyder's Save the Cat for screenwriting, but they have also adapted his idea for the novel writer as well. Another great plotting book is Martha Alderson's Plot Whisperer. She has a You Tube series on this that is fantastic!

Once I have beat that sucker out, I write the first draft. There are so many red squiggly lines and comments throughout the first draft that I can't imagine how a person could think I am an actual writer if they were to read it. My goal with the first draft is to just get it out of my head. I can pretty it up later. 

The second draft is spend beefing up and dealing with my comments and the read squiggly lines from draft one. 

The third is a kind of read through with a lot of repeating what I do in the second draft. 

If I feel good enough at the third go round, I send it off to beta readers to hack through and I repeat the above steps until I feel it's ready to send to my agent. 

It isn't a pretty process, but it's mine and I love it!
 
These fabulous ladies are up next on the tour! Check out their Writing Process next Monday.

 
My Photo
 Emily R King
 
I love stories, eccentrics, gummy bears, and eccentric stories about gummy bears. I live on an island in the Pacific Northwest with my hubby and four minions.
 
Follow her blog HERE 
Follow her on Twitter HERE 
 
 
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My PhotoStephanie Scott
 
Young Adult writer represented by Sarah LaPolla of Bradford Literary. I write contemporary YA and wrote a 1960s-set YA romance. Member of Windy City RWA and the YA-RWA chapter. Library Superfan, Award-winning TV-Binger, and your cat's new best friend. I love celebrating other writer's successes!
 
Follow her blog HERE
Follow her on Twitter HERE



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Angela CothranAngela Cothran
 
I LOVE books of all kinds and in just the last few years I've discovered I also LOVE to write. I'm currently working on creating a compelling story: a little romance,a little betrayal, a well placed twist, and if a few people die-well it was bound to happen :)
 
Follow her blog HERE





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What about you? If you're a writer, what's your writing process like?

Friday, October 21, 2011

Firsts Fridays: The Plot Whisperer, Martha Alderson

Anyone who reads my blog is probably sick to death of me mentioning the Plot Whisperer, but I tell you, she is fabulous. So fabulous in fact, that she accepted an invite to be interviewed for Firsts Fridays.

Martha Alderson (that is her real name, not really the Plot Whisperer just in case you didn’t know) isn’t really experiencing any firsts but she’s been there and also enjoys helping those that are.

Just check out her bio if you don’t believe me:

Martha Alderson has worked with hundreds of writers in sold-out plot workshops, retreats, and plot consultations for more than fifteen years. Her clients include bestselling authors, New York editors, and Hollywood movie directors. She lives in Santa Cruz, CA. Follow her blogworkshops, vlog, or follow her on twitter and faceboook

DB: First things first, congratulations on your new book coming out soon! Could you tell us a little bit about it?

MA: Thank you!

My intention in writing this book is to share the insights I have gained about plot and character, structure and form, thanks to years of teaching and consulting with writers from five years old to 102. I conduct plot workshops for writers of all genres who are intent on creating a worthy project. In one-on-one plot consultations, I listen to writers from all over the world recount scenes and visions for their stories. Throughout the process, I suggest plot parameters, offer tips on theme and character, and recommend tricks for layering and pacing.

The more writers I interact with, the more keenly I feel the universality and interconnectedness of our shared journeys through life together, especially those of us stubborn enough to pluck words from our imaginations and offer them to the world.

Anyone who wants to write or is in the process of writing a novel, short story, memoir, or screenplay faces the daunting task of creating several plots and multiple scenes. This book will guide you through the process of writing the story inside of you. Along the way I include Plot Whisper tips and exercises to improve your plotting skills, and The Writer’s Way advice about how to expand your writing life.

DB: I love how you not only help us as writers but you motivate us, push us through the rough patches. Thanks for that by the way.

What about yourself? Who is Martha Alderson? How did you get the name, The Plot Whisperer, and why have you decided to make it your job to help other writers out?

MA: I made up the name – The Plot Whisperer – when I started my blog of the same name. My intent for the blog was to use it to “debrief” after plot consultations with writers. I am usually energized after a session with lots of ideas and questions swirling around I believe are helpful to other writers so I use that space to share plot tips and insights into the writing process with a bit of inspiration thrown in.

DB: I have to say the name is fitting.

You have a wealth of information out there for writers, novelists, screen writers and play writers alike. I know what my favorite is (the You Tube plot series), but what would you say is your most helpful work to date?

MA: My new book: The Plot Whisperer: Secrets of Story Structure Any Writer Can Master is my most helpful work to date. I was filming the YouTube Plot Series: How Do I Plot a Novel, Memoir, Screenplay? while I was writing the book so the Plot Series is loosely the outline of the Plot Whisperer book. The book goes more deeply into the elements covered in the Plot Series with loads of examples from novels, memoirs, and screenplays.

The part of the book I am most excited about is the story beneath the story – the Universal Story and the message that writing is transformative. I hope writers come away from this book with practical techniques to integrate the energy of the Universal Story into their stories. After using these ideas, I believe writers will begin to understand themselves better. They’ll see their writing in a different light. The ways they interact with their writing and with the world around them will shift.

Writers imagine themselves into being writers. Their imaginations allow them to see worlds invisible to others. In my book, I invite writers to imagine the Universal Story into reality and reclaim a miraculous and mysterious way of being.

DB: Since I did this interview I’ve had time to read some of your book this book and I have to say, it is amazing! For those interested I am giving away a copy of it. Read below for more info.

Let’s say someone wants a one-on-one consult with you. Is that possible and if so, what is the difference between the one-on-one time versus someone simply reading your advice?

MA: Yes, I do plot consultations with writers from all over the world. The difference is that we work on the writer’s own particular story to develop a plot and discuss issues and questions and problems the writers has confronted, specific to their individual story.

DB: Sign me up is all I’ve gotta sayJ

What kind of guidance or encouragement can you give a writer who has sent out query after query only to get rejection after rejection?

MA: Go back and re-plot your story. Create a Plot Planner and then stand back from the story and assess what’s working and what may need additional time and attention.

DB: The Plot Planner is ingenious.

What is one of the biggest mistakes you see a new writer making?

MA: Giving away the backstory right up front. Telling rather than showing. Constantly going back over what they have written rather than forging ahead and writing to the end of the story. Until you write the climax, you can’t make informed decisions about the beginning.

DB: No joke, these three things are exactly what I did with my first novel. It’s so easy to keep going back.

Are there any parting words of advice you can give to us writers, old and new?

MA: Be aware of your strengths and weaknesses as a writer. Learn to compensate for your weaknesses and rely on your strengths. Understand the writing process for what it is – a personal journey with the promise of ultimate transformation for not only your protagonist but for you as well.

DB: Thanks so much, Martha, for doing this interview! It is amazing to have someone so knowledgeable share their wisdom with us.

MA: Thanks for this opportunity, Deana!

If you’ve read the interview and are salivating over getting your fingers on a copy of Martha’s newest book, simply leave me a comment below for a chance to win. I will pick a winner next Friday. Good luck!

Can’t get enough Plot Whisperer? Check her out on her next blog tour stop:

Shreve Stockton at Honey Rock Dawn
As the author of the best-selling memoir, The Daily Coyote, Shreve shares first-hand experience with my plot techniques.
She is offering a book giveaway.


Until next time…

Keep writing. Keep learning.

Monday, June 6, 2011

Plot Whisperer + Follow Love + Tag You're It = Good Stuff

If you haven't signed up for the Gearin' Up to Get an Agent Blogfest, now's your time!

This weekend you guys made me blush.  How?  Well, I passed the 200 follower mark and I am thrilled for the love.  I hope you come back often and enjoy what you see.  Leave me a comment too because I am addicted to checking out other blogs.  It gets me all warm and fuzzy inside to find like-minded friends.

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Now, on to writing endeavors...I have found a new love...other than my 202 followers:)  Ok, and maybe it's not brand new, but I'm just getting around to telling you all about it.  What, you may ask, could possibly make me weak in the knees and googly eyed in love?  Martha Alderson is what, or as she is known in the writer's circles...the Plot Whisperer.

How often have you had a story idea that seems an insurmountable obstacle you couldn't possible keep in check so you give it up rather than trying, move on to something you think might be more doable?

My new wip has been this kind of challenge...until I found the Plot Whisperer.  She breaks the story down in such a way that you have no choice but to know the ins and outs of the Protagonist, Antagonists, the world and so on. 

Her plot series layers your novel so important pieces don't get lost or she takes your idea and helps you build a well thought out masterpiece.

Here are her 27 steps from You Tube which are each from 5-10 minutes and well worth your time.  They are:


  • Step 1: Dramatic Action Plot





  • Step 2: Character Emotional Development Plot





  • Step 3: Setting for the Beginning





  • Step 4: Exotic World





  • Step 5: 3 Major Plots in Every Story





  • Step 6: Secondary Plots & Subplots





  • Step 7: Climax Affect on Beginning (part 1)





  • Step 8: Climax Affect on Beginning (part 2)





  • Step 9: Energy Anatomy of the Universal Story





  • Step 10: Plot the Beginning





  • Step 11: Turning Points





  • STEP 12: Goal for the Middle





  • Step 13: Antagonists in the Middle





  • Step 14: The Exotic World of the Middle





  • Step 15: Halfway Point -- Recommitment Scene in the Middle





  • Step 16: Rediscovered Skills and Knowledge in the Middle





  • Step 17: Cause and Effect in the Middle (scenes and emotion)





  • Step 18: Character Emotion and Thematic Significance





  • Step 19: Creating Conflict & Tension in Prep of Crisis





  • Step 20: Writing the Crisis





  • Step 21: Developing the Threshold Scene after the Crisis in the Middle





  • Step 22: The Beginning of the End





  • Step 23: Thematic Significance





  • Step 24: Relationship Bond





  • Step 25: Develop Scene Sequence to Climax





  • Step 26: How to Create the Climax





  • Step 27: Resolution




  • ***
    Last item of business, I was tagged by uber-talented Juliana Brandt.  If you haven't checked out her blog...click on her name darn-it, she is awesome!

    So here we go.
    Do you think you're hot?This may be tmi, but it depends on if it's that time of the month or not
    Upload a picture or wallpaper that you're using at the moment.
    This is for my current wip.  It gets me motivated.

    When was the last time you ate chicken meat? For lunch, we had Hawaiian haystacks.

    The song(s) you listened to recently.  Arms of an Angel by Sarah McLachlan


    What were you thinking as you were doing this?
    That the guy singing above song on America's Got Talent was rockin' it

    Do you have nicknames? What are they?   Umm, yea.  They are in no particular order: Bean, Sunny D, Sweetie Pie, Deana Beana, Smile Child


    Tag 8 blogger friends...
    Katie Ganshert
    Lora Rivera
    Robin Weeks
    Cara Nelson
    Pk Herzo
    LisaAnn
    Ashley Nixon
    Leslie Rose

    Monday, May 2, 2011

    9 Steps for Plotting Fiction

    Does this happen to you...

    Your in the car jammin' out to your favorite band and something, maybe it's a passerby or the lyrics in the song, but you're reminded, as you are every day, of an idea.  If given legs this idea could walk on water and soar all the way to number one on the best sellers list.

    The problem is, when you try to plot the course of this spectacular novel your idea gets lost somewhere along the way.  You can't keep track of who, what, when, where or how and so you give up for another day.

    If only you could figure out the main points, the beginning, middle and end of the book and how they all run along in a nice cohesive line until the end.

    Verla Kay is an amazing author of many children's books and she has made it a mission of hers to pay it forward to blossoming new writers.  If you haven't checked out her site, you should! 

    She also has a forum and on the board where I found a 9 step formula to plotting out your fiction.  This is also great for revising as well.

    In a nut shell, the steps are:

    Start with a piece of paper. It should be large enough to write on.
    8.5 x 11 is perfect. Draw two parallel lines both vertically and
    horizontally across the page, creating 9 comparable boxes, as if you
    were starting a game of tic-tac-toe. These boxes represent chapters,
    scenes, or sections, depending upon your book's intended length.

    Number the boxes, starting from the upper left: 1, 2, 3.
    Next row, starting from the left: 4, 5, 6.
    Last row: 7, 8, 9.
    Title each box…

    1 Triggering event
    First thing's first. What happens? Why have you bothered to write a
    book, and more importantly, why should a reader invest time flipping
    through its pages. Your triggering event is the answer to those
    questions, so make it a good one. Also, don't make the reader wait
    very long for it. First page, first paragraph, first sentence.
    These are good spots for a triggering event.

    2 Characterization
    Generally, books succeed or fail on the strength of their characters
    more so than on the strength of their plots. The second box is where
    you explore what makes your protagonist tick. No, this isn't an
    excuse for drawn out exposition, history, or back story. If your
    triggering event is captivating, the reader will discover enough
    about the protagonist in Box Two simply by reading how he or she
    reacts to the event.

    3 First major turning point
    By now, your plot is picking up steam, and because of Box Two, the
    reader is invested in the ride. Time to throw a curve ball. This
    turning point can be either a positive event for your protagonist,
    or a negative one, but it should lay the groundwork for the negative
    turning point in the sixth square. There is a reason these boxes are
    touching one another; they interrelate. For example, Box Three may
    introduce the motivation of the antagonist, which then justifies the
    events in the sixth square.

    4 Exposition
    You've earned some time to fill the reader in on important data.
    Since this box touches the first square, here's where you shed some
    light on that triggering event. Since it also touches Box Seven, you
    get to foreshadow your pro-tagonist's darkest hour. Box Four often
    reveals a relationship, character flaw, or personal history that
    contributes to the dark times in ahead.

    5 Connect the dots
    Here is where many plots fall apart. Box Five represents the
    trickiest part of fiction and since Box Five is the center of the
    book it must connect to all the squares around it. Kind of like the
    nucleus at the center of a bomb, Box Five should tick systematically
    upon elements introduced in Box Two and Four. And like the calm
    before the storm, the fifth square should give the false impression
    of resolution before heading like a freight train to Box Six. Most
    importantly, it needs to provide foreshadowing for the protagonist's
    revelation in Box Eight. That's a lot for a little box to do, but
    focus on efficient prose to get it right. Your plot depends upon it.

    6 Negative turning point
    Here's where that bomb explodes and all (word censored) breaks loose. Good
    thing you laid the groundwork in Box Three. Good thing, too, that
    Box Nine will deliver some just desserts.

    7 Antagonist wins
    The protagonist is defeated here, and the antagonist apparently
    wins. How the protagonist deals with the darkest hour of defeat
    depend upon the traits and/or story developed in Box Four, which
    leads to his or her revelation in the next square.

    8 Revelation
    Of course! The protagonist's revelation turns the tide. Here is
    where the protagonist connects the dots and overcomes the obstacles
    of Boxes Six and Seven via the device introduced in Box Five.

    9 Protagonist wins
    The negative turning point in Box Six is rectified while the
    character's resolve from Box Eight is brought into full bloom.
    Congratulations! Another great tale told greatly.

    Thanks Verla Kay!